Who's eviler? a weatherspooned pirate, or j.c. with his skull prints

The last of the Kos ice




I think the deviled fingerprints are way the evilest of the two

Fritz Welch and Andre Stitt at the lab

-click here to check it out live (Click the play button on the video window for the live feed)

The Lab Gallery is pleased to present SHIFTwork by Andre Stitt and Fritz Welch, curated by Robert Curcio of Curcioprojects. SHIFTwork is a collaborative installation/performance that will investigate the perceptions of the artist’s method of production as “work” and the artist as a cultural worker. The space becomes a public studio for the exploration of the artist as “common worker” and an artistic activity that exposes the performance of painting as labor and cultural practice. This activity takes the form of a series of work “shifts” that reflect labor patterns and “shiftwork” activity throughout the city.

From April 9th to 16th the public can view the artists on the job working/painting on a series of “live” in-situ works through the large windows of the corner street level gallery during their assigned shifts; see above schedule. During rush hour (5:30 – 6:30pm) on April 16th, Stitt and Welch will have a live akshun performance within the space where they will dismantle, cut-up, and construct new works from the debris of the paintings they were just working on for distribution to the public, at no cost to them, before becoming marketable products available through curcioprojects. The residual installation and products/art will be on view until April 24th.

SHIFTwork is the first collaborative piece by Stitt and Welch. Internationally renowned cult performance artist, Andre Stitt first met a teenaged Fritz Welch, during a performance at the Commerce Street Artist’s Warehouse in Houston, Texas in 1989. They kept in communication with each other over the years and when Welch, now a sonic/visual artist, was curating Acute Zonal Occult Outer, a series of performances at The Drawing Center, NYC in 2006 he invited Stitt to create a piece.

Old friends are the sweetest sugar

pretty big sculpture soon

splitting rods and breaking details

pringler

2 years and three welders later, I've finished my round template. I'm pretty excited to break stuff, maybe get a sinkhole. I just got some wood from Rosenzweig that's phenomenal. It's so elastic, I've been getting beautiful bends and intricate fissures the likes you've never seen. So yeah, I'm pretty excited to see what the round quake has in store.

moving

I've been moving around a lot (busy), I gave a artist's talk on Thursday in Philadelphia, it was fun. Meridith took video so if you have 73 minutes to burn, come over so that you may behold.

and unrelated-

earth move from Kai Vierstra on Vimeo.

Three Toothed Cat's Not Scared of Shadow

Meridith noticed that Onslo moved the other day. It looks like spring's coming in fast.

small arch

Converse Miter

from a photo/sculpture of mine

Waxy Column Drawing

Bird Feeding

It snowed like mad today, no birds came to the bird feeder

Condomoanium

be a dork while you work

eleventh blood from Kai Vierstra on Vimeo.

new drawing of a window in the window

BXMA

I love my new job
but I hate fiberglass. Luckily I've got Jason here who eats it for lunch.

early reading

fast forward to the middle. I was on the Roach path, but took a Burt turn somewhere in 1990.

it's cold,

so cold my neighbor's spit bubbles don't even have time to pop!

Paul Kos

"The sound of ice melting" 1970

"Up close and through Kos' ice" yesterday

"Lightning" 1976